A heartbroken literary critic turns his despair into creativity following a bitter divorce, only to encounter an enchanting beauty who poses a major challenge to his newfound cynicism. Marc Marronnier thought his marriage was going well until his wife deemed him immature, and left him for a high-profile writer. Devastated, he began filtering all of his heartache into a misanthropic manuscript decrying the virtues of true love. But later, when Marc falls hard for his cousin’s radiant and gorgeous wife, his entire life is turned upside down. Louise Bourgoin and Gaspard Proust star in a film by actor and author-turned-director Frederic Beigbeder.

Twig, Cap and Rusty live however they can in the Bois de Vincennes, east of Paris. This may completely change the day they learn they are the national lottery winner – though it is less than expected! Yet, they still need to collect the money and share it in equal parts. The hardest part of all will be to resume a “normal” life, filled with surprises and contradictions.

Paul is preparing to leave Tajikistan, while thinking back on his adolescent years. His childhood, his mother’s madness, the parties, the trip to the USSR where he lost his virginity, the friend who betrayed him and the love of his life.

Al, a young man from a modest background is about to marry his boss’ daughter, along with succeeding him as the head of a car dealership. One night, while coming back from his bachelor party, he is guilty of a hit-and-run accident, urged by his two childhood friends present in the car. The next day, gnawed with guilt, Al decides to inquire about his victim. What he does not know is that Juliette, a young woman, has witnessed the entire accident from her balcony.

Charlotte is cheating on Micha with Mélodie. Not suspecting a thing, yet feeling neglected, Micha in turn cheats on Charlotte. But also with Mélodie. For Mélodie, things are topsy-turvy. She lies to both of them. She is privy to each of their lies. And is in love with both of them at the same time.

Jess is a bohemian youth with secrets to hide from his shrewd parents. James feels trapped living with his irritable mother. After meeting for a sexual encounter, the two young men set off on a spontaneous road trip across rural Argentina to reunite with Jess’ estranged brother. On their journey, they confront strange occurrences and engage in a ménage à trois affair that brings them closer. Their newly found affection grows, all while discovering a fresh vision of freedom and happiness. JESS & JAMES is a sexually charged road-trip movie, a love story, and a coming-of-age tale, set against the mythical landscape of the Argentinian Pampas.

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

There’s something magical about an Australian accent that seems to make even the most caustic wit come off with good-natured charm. And that delicate blend of deviant behavior and good intentions has skyrocketed Aussie comic Jim Jefferies to international acclaim with critics and fans alike. In this new hour-long special, the man hailed by Q Magazine as “Britain’s most offensive stand-up comedian” shares fresh tales from his life on the edge, including a menage a trois in Montreal and attending a party where God is on the guest list.

In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet